his finest since the ’70s “A star of Bowie’s Beckenham Arts Lab, and sporadic DB collaborator, raspy cult folkie Christmas returns with this open-tuned emotional outpouring – autobiographical, political, haunting – and it’s his finest since the ’70s” Mojo Magazine – March 2017
A powerful and impassioned album by a ’60s survivor with a bellyful of righteous fire. Hot of the presses, the latest edition of fRoots features a wondeful review of Crazy Dancing Days: “Keith Christmas first gained recognition for his guitar playing on several songs (including Letter To Hermione) on David Bowie’s 1969 Space Oddity album, … Continue reading “fRoots CDD Review -March 2017”
Crazy Dancing Days features in the moths fRoots Playlist 5* Album Choices http://www.frootsmag.com/content/issue/charts/frplaylist/ Voice and guitar burning undimmed. Plus Welcome To The End Of The World (One More Time) from the CD Crazy Dancing Days is featured on teh fRoots Radio podcast. Listen to it here: http://www.frootsmag.com/radio/playlists/17/03/ And in the same edition see the review … Continue reading “FRoots Playlist – 5 Star Album Choice”
For those that are interested in this sort of thing here is the set up for recording Crazy Dancing Days. Look at the audio buffers on that.
The first in a tutorial series, this is How to tune to open ‘B’ and play ‘She Came to Me’ from the album, Light of the Dawn